REVIEW: Pretty Woman Performances Hit The Spot

PRETTY WOMAN TOUR. Noah Harrison 'Giulio', Oliver Savile 'Edward Lewis' and Amber Davies 'Vivian Ward'. Photo Marc Brenner
PRETTY WOMAN TOUR. Noah Harrison ‘Giulio’, Oliver Savile ‘Edward Lewis’ and Amber Davies ‘Vivian Ward’. Photo Marc Brenner

Pretty Woman: The Musical at Curve delivers a pleasing, feel-good romp, capturing the charm of the beloved 1990 film. The production is full of sparkle, glitz and heart and stays true to the Cinderella-like romance that fans expect. Amber Davies as Vivian successfully throws off the shadows of her Love Island past with a portrayal that shines with spirited energy and emotional depth, making her journey from streetwise underdog to empowered heroine both believable and compelling; she may be pretty, but she’s not to be messed with. Oliver Savile, as the charismatic Edward, brings a refreshing blend of vulnerability and gravitas to the role, and the pairs’ steamy antics on stage were enough to heat up the whole auditorium.

Special mention must go to Noah Harrison as hotel bellboy Guilio who brings an unexpected burst of comedic energy and charm to the production. Despite being a supporting role, Harrison’s Giulio is a delightful scene-stealer and strikes the perfect balance between slapstick and sincerity providing some of the production’s most delightful moments. One to watch.

However, despite these standout performances, Pretty Woman’s musical numbers themselves fall flat. The songs, while serviceable, are largely unremarkable, lacking the memorable hooks or emotional punch needed to make them stand out. The soft rock score, penned by Bryan Adams and Jim Vallance, tends to blend into the background, leaving little lasting impression once the curtain falls. Though the cast does their best with what they’re given, the forgettable nature of the songs means that the musical never quite reaches the heights of its cinematic predecessor and you can’t help feeling how much better this show would have worked as a jukebox style musical; an explosive extravaganza of eighties pop hits!

Despite this, Pretty Woman: The Musical remains an enjoyable night at the theatre, buoyed by its strong performances and nostalgic appeal. It’s an entertaining crowd-pleaser, but you’ll find yourself humming the original Roy Orbison classic more than any of the musical’s own numbers.

Pretty Woman is at Curve until 21st September but at this time remains sold out. The tour will also be calling at Sheffield until the end of the month.

Find out more at www.prettywomanthemusical.com

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