{"id":20929,"date":"2018-10-04T16:03:35","date_gmt":"2018-10-04T15:03:35","guid":{"rendered":"http:\/\/dluxe-magazine.co.uk\/?p=20929"},"modified":"2018-10-04T16:04:09","modified_gmt":"2018-10-04T15:04:09","slug":"the-great-british-take-off","status":"publish","type":"post","link":"https:\/\/dluxe-magazine.co.uk\/interviews\/the-great-british-take-off\/","title":{"rendered":"The Great British Take Off"},"content":{"rendered":"

Over a cuppa with the cast of Calendar Girls the Musical Vicky Edwards discovers that Ruth Madoc is \u2018perky,\u2019 Fern Britton\u2019s intuition sometimes malfunctions and that Gary Barlow and Tim Firth are to musical comedy what Mary Berry is to baking\u2026<\/strong><\/p>\n

If Calendar Girls the Musical were a cake, the recipe would read something like this:<\/p>\n

Take an inspirational true story and add one super-talented writer, one world-famous pop star and mix their expertise thoroughly. Once you have a perfect blend of warmth, humour, poignancy and music, line a 12-inch diameter cake tin with an accomplished production team and cast in a clutch of our finest actors and singers. Lace with a sublime supporting cast and rehearse well. Garnish with a stunning set and gorgeous lights and serve to rapturous applause up and down the country.<\/em><\/p>\n

Thrilled to be one of the girls, (but keeping her kit firmly ON \u2013 \u201cI\u2019m playing Marie, so no nipps or noo for me!\u201d) presenter and best-selling novelist Fern Britton cheerfully admits that she almost missed out, initially telling her agent that on instinct it wasn\u2019t for her.<\/p>\n

\u201cAnd then came the call saying that Gary Barlow would like to have a cup of coffee and a chat with me!\u201d she exclaims, eyes bright and smile wide. \u201cSuddenly I found myself in a room reading the script, with Gary, Tim Firth [writer], the producers and the casting director. And boy am I glad that they persisted!\u201d she laughs, admitting that her instinct must have been on the blink.<\/p>\n

\u201cNever was I happier to be wrong about something. Some people don\u2019t like musicals because of all the bursting into song, but with this you hardly know that a song has started until it\u2019s halfway through. You are totally pulled along by your earholes and the songs really advance the story. Tim Firth is a God! He wrote the play, the movie and the musical and he\u2019s\u00a0\u00a0 like a Yorkshire Stephen Sondheim with the lyrics. As for Gary, he has written some incredible songs,\u201d she enthuses.<\/p>\n

Having previously starred in the stage play version, Ruth Madoc is the old hand of the assembled cast, but she wasn\u2019t convinced about returning to the subject.<\/p>\n

\u201cAnd then I realised that my agent had been working on it for the past six months so I thought I\u2019d jolly well better go and do the audition!\u201d she hoots, adding: \u201cI expected them to want me to play Marie again, but they said they wanted me to play the older woman this time, which is wonderful; Jessie has got some fantastic lines.\u201d<\/p>\n

But if Fern and Ruth had reservations, you could say that Rebecca Storm was born to play the role of Chris. Literally: the West End leading lady with a career spanning four decades was been born and raised just a few miles from where the real Calendar Girls is set.<\/p>\n

\u201cThe local relevance is extraordinary, but also David Pugh [Calendar Girls<\/em> producer] was my first ever producer! In 1984 he gave me my first opportunity in the world of proper grown-up theatre in Blood Brothers.\u201d she says, smiling at the memory.<\/p>\n

Based on the true story, Tim Firth\u2019s film and his subsequent award-winning play,\u00a0Calendar Girls<\/em> is a reworking of the award-winning and critically acclaimed The <\/em>Girls, which played to packed houses in the West End last year and is now returning home to Yorkshire to kick-off a new UK & Ireland Tour.\u00a0 Loose Women\u2019s Denise Welch stirs her tea and ponders on why the story, in various incarnations, has endured.<\/p>\n

\u201cIt is about friendship and community and I think we all relate to that. Celia, my character, has been off as an air hostess and has always been looking for something more. When she comes back she realises that it was already there. As we get older we all realise that,\u201d she says thoughtfully.<\/p>\n

One of Scotland\u2019s best-known comedy actors, Karen Dunbar (playing Cora), adds her voice to the melee. \u201cI think people will go away thinking about the value and the shortness of life,\u201d she says, pausing to allow Anna-Jane Casey (Annie) to jump in.<\/p>\n

\u201cAnd that positivity can come from awful situations and swing people into action,\u201d interjects the doyenne of musicals including Billy Elliot and Stepping Out.<\/p>\n

\u201cThe power and innovation of women is amazing,\u201d says Karen, to a general burble of agreement.<\/p>\n

Best known as the first bride in the hit movie Four Weddings and a Funeral, Sara Crowe (playing Ruth) picks up the baton. \u201cIt is an instinctive thing to do, especially in situations that are terrible. Doing something positive becomes a survival mechanism.\u201d<\/p>\n

\u201cI love men, but women make things happen,\u201d claims Denise, who confesses that while she is absolutely a woman\u2019s woman, the first question she asked was who else was in the show. \u201cBecause I\u2019m too old and long in the tooth to be dealing with egos and temper tantrums,\u201d she explains. \u201cThankfully we all get on, but second to the script that was the most important thing to me.\u201d<\/p>\n

It is a show that attracts a hugely diverse audience, for sure. Surreptitiously nicking the last piece of Victoria Sponge, I ask why the ladies think this is.<\/p>\n

\u201cThis is an incredibly human story,\u201d Fern elucidates. \u00a0\u201cLife is all about loss, love, making a mess, making mistakes, clearing it up and atoning. It is a terribly hackneyed phrase, but our show is life affirming.\u201d<\/p>\n

\u201cAnd it is a different proposition when you have music to the extent that we have,\u201d says the fabulously glamorous Ms Madoc, who, as an experienced musical theatre actress, knows a thing or two about the genre. \u201cThe music expands the subject far bigger than the play ever was. It\u2019s fabulous and audience are in for a real treat. The music makes it a wonderful emotional journey but it is seamless; it slides into the dialogue. It never feels like \u2018here comes a song\u2019, and that makes it a very powerful piece of theatre. I am really on the boil about it!\u201d she proclaims, the Welsh lilt making her words sound appropriately musical.<\/p>\n

Are they worried about disrobing on stage \u2013 does the \u2018Great British Take Off\u2019 hold any fear?<\/p>\n

We\u2019re not prancing around like we\u2019re in Hair!\u201d laughs Rebecca. \u201cAnd it\u2019s done with so much comedy.\u201d<\/p>\n

\u201cWe\u2019ll have great big pineapples or whatever in front of us, so the audience won\u2019t see much,\u201d Ruth waves any concerns aside. \u201cBesides,\u201d she says, a naughty glint in her eye, \u201cat 75 you don\u2019t care!\u201d<\/p>\n

Noisily chorusing that Ruth Madoc has the most fabulous boobs of them all, Anna-Jane cuts across the good-natured rabble-rousing: \u201cIt\u2019s more of a celebration of how different everyone is.\u201d<\/p>\n

\u201cAs you get older you get back to who you really are and the nakedness is part of that,\u201d offers Sara.<\/p>\n

But the show has even more to offer. Having already raised huge amounts of money through merchandise and bucket collections at each performance, the charity Bloodwise will continue to benefit from the production \u2013 a fact of which the ladies are extremely proud.<\/p>\n

\u201cThese women did something spectacular,\u201d marvels Rebecca, recalling how twenty years ago members of a small Yorkshire Women\u2019s Institute produced a nude calendar that captured global attention and that, to date, they have raised in excess of \u00a35 million for research. Quite something when you consider that they intended only to raise enough to buy a sofa for a hospital waiting room.<\/p>\n

\u201cWe need that research,\u201d says Ruth, quietly telling of the loss of a young father who died from leukaemia in her home village. \u201cThe whole village was broken-hearted. I have had bladder cancer, but I am fine now. I am a very lucky woman.\u201d<\/p>\n

\u201cPerhaps nobody knew how much this man John meant to them until he was suddenly no longer there?\u201d proffers Fern. \u201cMy mum died recently and only today did I acknowledge that my landscape has changed. It can be hard to make sense of.\u201d<\/p>\n

What they are adamant about, however, is that this is a show that should not be missed. \u201cIt\u2019s universally appealing,\u201d says Karen; \u201cand a tribute to friendship,\u201d Sara finishes.<\/p>\n

Discussing the tour, which takes them all over the UK, the ladies all profess themselves to be looking forward to seeing new places and revisiting old friends.<\/p>\n

\u201cI prefer touring to West End. I like the feel of companies; the family orientation that happens and that harks back to how it was when I started out 60 years ago,\u201d says Ruth, who is going to bring her husband along for the ride. \u201cThe kids and the grandchildren will come in dribs and drabs. I\u2019m a National Trust fan so we\u2019ll be exploring and we will see lots of friends along the way, too.\u201d<\/p>\n

\u201cFor those who say that they don\u2019t like musicals, just BOOK! I promise that there are no jazz hands,\u201d declares Anna-Jane.<\/p>\n

\u201cMy hope is that people leave the theatre with massive smiles on their faces,\u201d says Denise.<\/p>\n

I don\u2019t doubt they will.<\/p>\n

\u00a9Vicky Edwards 2018<\/p>\n

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